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	<title>David Ward Music</title>
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	<link>http://www.davidwardmusic.com</link>
	<description>David Ward Music</description>
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		<title>Comments &amp; Questions</title>
		<link>http://www.davidwardmusic.com/?p=949</link>
		<comments>http://www.davidwardmusic.com/?p=949#comments</comments>
		<pubDate>Wed, 04 Aug 2010 00:10:01 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=949</guid>
		<description><![CDATA[                                  I want to thank you all for taking the time to read this blog and furthermore, for taking the extra time to make comments on various postings.  Once again, I attempted answering a few comments of late via the email addresses provided by the commenters, and, once again, each email address proved to be a [...]]]></description>
			<content:encoded><![CDATA[<p>I want to thank you all for taking the time to read this blog and furthermore, for taking the extra time to make comments on various postings.  Once again, I attempted answering a few comments of late via the email addresses provided by the commenters, and, once again, each email address proved to be a deceptive guise attempting to create anonymity in the outwardly  public and conspicuous domain of the internet.  But, you have fooled me.</p>
<p>I haven&#8217;t attempted to reply to the comments via my site as I am never sure if they will appear on the page never to be read by the person they are intended for.  I don&#8217;t know if the person who comments is notified when I hit the &#8220;reply&#8221; button or if &#8220;reply&#8221; isn&#8217;t the right word at all for that particular button.  If a reply falls on blind eyes or deaf ears, is it really a reply?</p>
<p>So, again, my apologies for not being able to answer your questions.  I am grateful to you out there who is reading.</p>
<p>David</p>
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		<title>The Greatest Fire</title>
		<link>http://www.davidwardmusic.com/?p=955</link>
		<comments>http://www.davidwardmusic.com/?p=955#comments</comments>
		<pubDate>Sun, 01 Aug 2010 05:53:56 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=955</guid>
		<description><![CDATA[&#8220;&#8230;save a little ember, a spark, and never give them that spark because as long as you have that spark, it can start the greatest fire again.&#8221;
H.C. Bukowski
]]></description>
			<content:encoded><![CDATA[<p>&#8220;&#8230;save a little ember, a spark, and never give them that spark because as long as you have that spark, it can start the greatest fire again.&#8221;</p>
<p>H.C. Bukowski</p>
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		<title>Reset</title>
		<link>http://www.davidwardmusic.com/?p=926</link>
		<comments>http://www.davidwardmusic.com/?p=926#comments</comments>
		<pubDate>Thu, 22 Jul 2010 02:27:55 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=926</guid>
		<description><![CDATA[Day by day, hour by hour, minute by minute, I am in need of a reset.  Every moment of life brings with it an accumulation of new facts, and each of these new facts brings with it its consequences and ensuing emotional and/or physical response.  Once that initial response to a fact has occurred it [...]]]></description>
			<content:encoded><![CDATA[<p>Day by day, hour by hour, minute by minute, I am in need of a reset.  Every moment of life brings with it an accumulation of new facts, and each of these new facts brings with it its consequences and ensuing emotional and/or physical response.  Once that initial response to a fact has occurred it more often than not will leave a residue: a fragment of the potency of the first reaction.  If I am unable to reset, to put my emotions and physicality back into balance, that residue can build up like shower scum, with a chronology of crusting emotion that can be traced back by its varying shades of gray, and varying degrees of consistency and difficulty of removal.</p>
<p>In a matter of minutes a number of small things can go wrong in life that, if you are unable to leave them behind, will have you tearing your hair out when in the final moments of this quick build of unimportant but annoying occurrences mounts you are unable to remove a piece of broccoli stuck between your molars.  <em>Everybody turns their heads at the dinner table to witness the unanticipated spectacle of their own family member rolling wildly across the floor in a fit of tears and rage blaming a vegetable for the chaos it has wreaked upon their life.</em> But it is never the broccoli.  It is all the events leading up to the broccoli wedged discomfortingly between your molars that can cause us to &#8216;lose our shit&#8217;.</p>
<p>Life often moves at such a dizzying pace that it becomes difficult to reset ourselves &#8211; to brush off the little frustrations or upsets that don&#8217;t particularly matter in the grand scheme of things.  Attempting to reset yourself can be like trying to press the reset button on a plastic, electronic toy clock that you find tucked at the bottom of your new box of Frosted Flakes.  The reset button is usually the size of a sharpened pencil tip and is deeply inset into the plastic body of the toy out of a designers fear that you may reset your Tony the Tiger clock accidentally.  The awkward manoeuvring and force it takes to press the reset button with the tip of your sharpened pencil often lodges the flimsy rubber button under the plastic cover housing it, rendering it completely useless.  Being able to reset ourselves after a slur of minute disturbances in our day can be just as difficult, frustrating and elusive as trying to reset a Tony the Tiger watch.  Sometimes it is difficult to find the tiny rubber reset button within ourselves and sometimes it is difficult to recognize the reaction itself as harmful.  But once that reaction builds upon the last three, believe you me, it is harmful.</p>
<p>We&#8217;ve all been on either end of the stick &#8211; the one who has had it up to here and is dishing it all out, or the one who is receiving what is being dished.  It&#8217;s not fun to be the last link on the chain that has unexpectedly lead the driver in the car next to you to call you dirty names for driving too slow, brandish his middle finger and speed up in an effort to hit the next red light faster than you.</p>
<p>We all want to be good people.  Sometimes we get too caught up in schedules and speed that we forget to check-in with ourselves.  The latter couldn&#8217;t be a more flowery, theatrical sentiment but it is true.  Checking in and looking for our reset button is a good preventative measure for the soul.</p>
<p>David</p>
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		<title>Hip Hop</title>
		<link>http://www.davidwardmusic.com/?p=836</link>
		<comments>http://www.davidwardmusic.com/?p=836#comments</comments>
		<pubDate>Sun, 04 Jul 2010 07:14:28 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=836</guid>
		<description><![CDATA[I’ve been listening to more hip hop these days.  It&#8217;s a genre that I haven&#8217;t explored in great detail before.  The reason I have often turned a deaf ear to hip hop is the same reason many others do - it has been exploited for commercial value and celebrity status and the experimentally rich and provocative genre has [...]]]></description>
			<content:encoded><![CDATA[<p>I’ve been listening to more hip hop these days.  It&#8217;s a genre that I haven&#8217;t explored in great detail before.  The reason I have often turned a deaf ear to hip hop is the same reason many others do - it has been exploited for commercial value and celebrity status and the experimentally rich and provocative genre has now lulled its audience to sleep through the ubiquitous winner-take-all, pimp-and-hustler aesthetic still ruling the airwaves today.  As Questlove explains in the liner notes for Slum Village’s <em>Fan-Tas-Tic Vol 1</em> , “…this was 1997.  The fire within the hip hop culture that was once enthusiastically drawn to what was new and innovative had suddenly turned a deaf ear and now “new” was “foreign” and celebrity was the name of the game.  It was the age of irony and now someone had to pay the price”.</p>
<p>Of course, he is referring to Slum Village as the “foreign” voice within the hip hop community that paid the price – a group now revered for the style they pioneered by taking a heavier, nastier lyrical bent and pairing it with smart, DEEP-pocket-groove, soulful, ecelectic, experimental, funky-ass production the likes of which no one had ever heard.</p>
<p>It was difficult for me to find the experimental, thoughtful, revolutionary, voice-of-the-people, production-heavy material that mingles in the underground through the top-heavy  sheen of cash mon-eh, bling, rims and big breasted women in nightclubs, 5 at a time, fighting over their superstar.  During the “golden age” of hip hop, when diversity, quality, innovation and influence was rampant and every single seemd to re-invent the genre, I was listening to other things.  Even when I traveled to Ghana, that top- heavy sheen of superficiality, excess and abuse had crossed the borders into their culture giving young people a deranged set of values and a false notion of what hip hop is.</p>
<p>One of the many things I am enjoying as I sift through this rich genre is reading the liner notes for the albums.  In fact, liner notes are a big part of what has helped me to gain insight and an appreciation of hip hop.  The quote below is something I read from Talib Kweli&#8217;s album <em>Quality </em>regarding his song &#8220;Waitin&#8217; For the DJ&#8221; and its title.  A good way to end a blog on the subject of music – a quote that sums up the inextricability of music from life.</p>
<p>&#8220;&#8216;Waitin&#8217; for the DJ&#8217; could become a new catch phrase.  You know when someone ask you what&#8217;s up, or, watcha doin&#8217;, instead of just chillin&#8217;, you could say &#8216;Waitin&#8217; for the DJ&#8217;.  Cuz truthfully party people, if you are just chillin&#8217; all you really doing is waitin&#8217; for the DJ to let your body rock!  What else is life about?&#8221;</p>
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		<item>
		<title>With My Clothes On</title>
		<link>http://www.davidwardmusic.com/?p=901</link>
		<comments>http://www.davidwardmusic.com/?p=901#comments</comments>
		<pubDate>Mon, 21 Jun 2010 06:36:01 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=901</guid>
		<description><![CDATA[&#8220;I was very fortunate to be in Miles Davis&#8217; band.  Was a wonderful thing for me.  Was about the best thing that happened to me with my clothes on.&#8221;
Jimmy Cobb &#8211; American Jazz drummer who played on the biggest selling jazz album of all time, Miles Davis&#8217; Kind of Blue.
]]></description>
			<content:encoded><![CDATA[<p>&#8220;I was very fortunate to be in Miles Davis&#8217; band.  Was a wonderful thing for me.  Was about the best thing that happened to me with my clothes on.&#8221;</p>
<p>Jimmy Cobb<em> &#8211; American Jazz drummer who played on the biggest selling jazz album of all time, Miles Davis&#8217; <strong>Kind of Blue</strong></em>.</p>
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		<title>BP</title>
		<link>http://www.davidwardmusic.com/?p=896</link>
		<comments>http://www.davidwardmusic.com/?p=896#comments</comments>
		<pubDate>Mon, 07 Jun 2010 16:27:17 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=896</guid>
		<description><![CDATA[I don&#8217;t know exactly what the protocol for re-blogging someone else&#8217;s work is, but I thought this too eloquent, timely and important a piece not to share with you.  This comes from John Mayer&#8217;s (American pop/blues guitarist/singer-songwriter) blog and it concerns the BP oil spill disaster.
&#8220;I believe that the BP oil spill could have even [...]]]></description>
			<content:encoded><![CDATA[<p>I don&#8217;t know exactly what the protocol for re-blogging someone else&#8217;s work is, but I thought this too eloquent, timely and important a piece not to share with you.  This comes from John Mayer&#8217;s (American pop/blues guitarist/singer-songwriter) blog and it concerns the BP oil spill disaster.</p>
<p>&#8220;I believe that the BP oil spill could have even bigger ramifications on our country than we already realize.&#8221;</p>
<p> &#8221;If this disaster exits the public consciousess without there being a 1:1 ratio of fault to accountability, then we as a nation will have demonstrated to our government (and the corporations whose interests they protect) that there is nothing we won&#8217;t tolerate &#8211; that under any circumstances of wrongdoing, even one without moral or religious debate, we can be manipulated and made to forget. And if we allow that precedent to be set, there will be no turning back. They will know something no democratic government ever should: that no matter the circumstances, they can always fall back on the people losing interest if they can be distracted long enough.&#8221;</p>
<p>A few things you can do courtesy of <a href="http://www.350.org">www.350.org</a></p>
<p>1) If you use Facebook, and haven&#8217;t already joined the group &#8220;1 Million Strong Against Offshore Drilling&#8221; you can join in now: <a onclick="onClickUnsafeLink(event);" href="http://www.facebook.com/dontdrill" target="_blank">http://www.facebook.com/dontdrill</a></p>
<p>2) If you have any extra money this week, communities affected by the oil disaster could use your help: <a onclick="onClickUnsafeLink(event);" href="http://www.350.org/gulf-donations" target="_blank">http://www.350.org/gulf-donations</a></p>
<p>3)</p>
<h2>Write a Letter to the Editor<img src="http://action.350.org/images/crude_awakening_congress.jpg" alt="" align="right" /></h2>
<p><strong>Letters to the editor are an effective way to raise awareness within your community about the need to end our oil addiction. </strong></p>
<p>Help get the message out in your community that our Senators need to support the real solution to oil spills: ending our addiction to fossil fuels.</p>
<p>* Make sure to include a paragraph about why the oil spill and clean energy are important to <span style="text-decoration: underline;"><em><strong>you</strong></em></span> personally in your letter.</p>
<p>* Don&#8217;t live in the US? <a href="http://www.350.org/oil-lte-intl">Click here to send a letter to the editor in your own country &gt;&gt;</a></p>
<p>Thanks for reading everybody and for your continued comments.  Always appreciated.  In the wake of such grim news, it gives me hope to see people banding together to raise their voices.  Please help this movement grow  into an unstoppable force. </p>
<p>David</p>
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		<title>The Golden Age</title>
		<link>http://www.davidwardmusic.com/?p=892</link>
		<comments>http://www.davidwardmusic.com/?p=892#comments</comments>
		<pubDate>Sun, 30 May 2010 02:25:44 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=892</guid>
		<description><![CDATA[&#8220;One of the sturdiest precepts of the study of human delusion is that every golden age is either past or in the offing&#8221;.
Michael Chabon from The Amazing Adventures of Kavalier &#38; Clay
David
]]></description>
			<content:encoded><![CDATA[<p>&#8220;One of the sturdiest precepts of the study of human delusion is that every golden age is either past or in the offing&#8221;.</p>
<p>Michael Chabon from <em>The Amazing Adventures of Kavalier &amp; Clay</em></p>
<p>David</p>
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		<title>The new trend is&#8230;</title>
		<link>http://www.davidwardmusic.com/?p=838</link>
		<comments>http://www.davidwardmusic.com/?p=838#comments</comments>
		<pubDate>Fri, 28 May 2010 16:15:37 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=838</guid>
		<description><![CDATA[I went to get my haircut a couple of weeks ago and like any good haircut, I received my accompanying philosophy lesson from my hairdresser of many years.
He asked me if I knew what the new trend was.  I said no.  He let the scissors go limp around his forefinger and thumb, cocked his head [...]]]></description>
			<content:encoded><![CDATA[<p>I went to get my haircut a couple of weeks ago and like any good haircut, I received my accompanying philosophy lesson from my hairdresser of many years.</p>
<p>He asked me if I knew what the new trend was.  I said no.  He let the scissors go limp around his forefinger and thumb, cocked his head to the side and gave me that parental look of, &#8220;it&#8217;s time I taught you a lesson&#8221;.</p>
<p>&#8220;The new trend is</p>
<p>&#8230; (dramatic pause)</p>
<p>confidence&#8221;.</p>
<p>And he is absolutely right.  You are likely to bring back any outdated style, get away with any kind of extremist look simply by carrying it with a touch of confidence.</p>
<p>Useful advice for me, and, instead of paying for the haircut and philosophy lesson I thought I would save you the trip and money and share it with you here.</p>
<p>David</p>
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		<item>
		<title>The Elephant, the Dog and the Girl with the Red Hair</title>
		<link>http://www.davidwardmusic.com/?p=842</link>
		<comments>http://www.davidwardmusic.com/?p=842#comments</comments>
		<pubDate>Tue, 11 May 2010 19:09:01 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=842</guid>
		<description><![CDATA[A friend of mine who recently passed away was, and still is, a true champion of the cystic fibrosis community, she herself having lived with the genetic disease and eventually succumbing to it at the age of 25.  She had a dramatic flair that she used to spread awareness about cystic fibrosis and the importance [...]]]></description>
			<content:encoded><![CDATA[<p>A friend of mine who recently passed away was, and still is, a true champion of the cystic fibrosis community, she herself having lived with the genetic disease and eventually succumbing to it at the age of 25.  She had a dramatic flair that she used to spread awareness about cystic fibrosis and the importance of organ donation.<br />
At her memorial service her mother spoke about her daughter Eva and said that early on in life she gained an acute sense of social justice.  At a young age she was taken to the theatre by her parents to watch the broadway musical <em>Showboat, </em>a play that chronicles the lives of those living and working on the Cotton Blossom, a Mississippi River show boat, from 1880 to 1927. The show&#8217;s dominant themes include racial prejudice and tragic, enduring love<em>.</em> After taking their seats Eva quickly noticed there were two wooden barrels on the stage, one labelled &#8220;white&#8221; and one labelled &#8220;colour&#8221;.  She quickly stood up from her seat and in a burst of excitement she yelled, &#8220;Mom!  Look!  They&#8217;re going to do laundry on the stage.&#8221;</p>
<p>I continue to think of her daily, as I know many others do, and I was reminded of her and the above story when I watched this video my mom sent me via email.  While forwarded videos usually go straight to the trash can this one I was tempted to watch &#8211; and I&#8217;m glad I did.  Take a look at this.</p>
<p><a href="http://www.youtube.com/watch?v=e4OD8dxIry8">http://www.youtube.com/watch?v=e4OD8dxIry8</a></p>
<p><a href="http://www.davidwardmusic.com/wp-content/uploads/2010/05/Eva-2.jpg" rel="lightbox[842]"><img class="alignnone size-medium wp-image-864" title="Eva-2" src="http://www.davidwardmusic.com/wp-content/uploads/2010/05/Eva-2-300x193.jpg" alt="" width="300" height="193" /></a></p>
<p><em>Eva Markvoort<br />
Eva&#8217;s blog, under the moniker 65 Red Roses, inspired an award-winning documentary of the same name, which aired on the CBC (Canadian Broadcasting Corporation).  Documenting her daily struggles and also her endless supply of hope and joy, her blog has attracted an international following, inspiring people all over the world.  You can read her blog here.</em></p>
<p><a href="http://65redroses.livejournal.com/" target="_blank">Blog: 65 Red Roses</a></p>
<p><em>The family asks that in lieu of flowers, people make a donation in Markvoort&#8217;s name to the Vancouver chapter of the Cystic Fibrosis Foundation at </em><em><a href="http://www.cfvancouver.ca">www.cfvancouver.ca</a></em></p>
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		<title>Arrivals III</title>
		<link>http://www.davidwardmusic.com/?p=846</link>
		<comments>http://www.davidwardmusic.com/?p=846#comments</comments>
		<pubDate>Thu, 06 May 2010 05:03:08 +0000</pubDate>
		<dc:creator>loosechange</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.davidwardmusic.com/?p=846</guid>
		<description><![CDATA[This is part two of the speech I posted last week that I was going to include as the opening monologue for the second Arrivals video, but instead, ended up on the cutting room floor.  I&#8217;ve included both halves here but bolded the second in case you&#8217;re tight for time and, viewing the sunlight from the window beside your computer, decided [...]]]></description>
			<content:encoded><![CDATA[<p>This is part two of the speech I posted last week that I was going to include as the opening monologue for the second <strong>Arrivals</strong> video, but instead, ended up on the cutting room floor.  I&#8217;ve included both halves here but bolded the second in case you&#8217;re tight for time and, viewing the sunlight from the window beside your computer, decided you would like to venture outside with the 10 minutes left in your coffee break.</p>
<p>I am improvising.  (<em>action</em>)  Improvised.  But am I really?  I mean, how much am I getting to improvise here?  My actions are dictated by so many of <em>You</em>, and many of the people that came before me.  They’re dictated by rules, by my friends who get that look of embarrassed shock on their face that says “You’re an idiot and what you just did there is something I don’t accept”. <br />
They are dictated by societal constructs, personal and societal timelines (you’ve got to be married by your late twenties, own your own place shortly thereafter, have your babies in your early thirties, and if you haven’t secured a respectable, steady paying job before you marry and start pumping out babies, well then, Jesus, good luck). <br />
They are dictated by family who have their own ideas of how a life should be led <em>and those ideas</em> are dictated by <em>their</em> insecurities about how their own lives have unfolded and how they want to see the future of their offspring unfold. <br />
My actions are dictated by this script that I am currently following. </p>
<p><strong>I am improvising with the full knowledge of what I can and cannot do.  So, if I just say, forget it.  Forget what you think, I am going to do my thing.  I am going to rip it up.  I am going to do it my way because there is no <em>way</em>.  Well, that’s scary.  That scary as hell. <br />
</strong><strong>How do I create?  How do I make the most of this?  How do I become successful at this?  How do I <em>measure</em> success?<br />
</strong><strong>Am I headed toward an end – a goal that I should be able to see – and should it happen by a certain time – say, Monday at noon on November 5<sup>th</sup>, 2025 over lunch with an old friend in a café in Paris, France? <br />
</strong><strong>Most of the time I can’t see anything.  It’s pretty cloudy.<br />
</strong><strong>Will I arrive?  Arrive at a moment of perfection that will never threaten to leave? </strong></p>
<p><strong>I am improvising.     </strong></p>
<p>Thanks for reading.  I will likely switch gears for the next post.</p>
<p>David</p>
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